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Seventeenth-century artists frequently modernized traditional Rich single ladies in leiden by placing Rich single ladies in leiden in contemporary interiors, as, for example, did Jan Miense Molenaer —68 in A Lady at Her Toilet Lady World and Vermeer in Allegory of Faith. Ripa published the first edition of his seminal work in Italian in Rome inbut Metsu was likely familiar with the Dutch edition, which had been translated by Dirck Pers in Leidej is the earliest surviving painting in which the artist depicted a contemporary Dutch interior.

Prior to this time, Metsu had painted only outdoor scenes and imaginary interiors of sandstone palaces, churches and brothels.

Although this interior serves only as a backdrop to the figure, the setting is comparable to those depicted by other Leiden genre painters of the mid-seventeenth century. These generally focus on the left singlf of a shallow room with the back wall running parallel to the picture plane and a window that allows Rich single ladies in leiden light to illuminate the interior.

It is only one of two works that the artist inscribed with his full. The support, a single piece of medium-weight, leideen fabric with tacking margins removed, has been lined.

The upper edge has been cut and forms three arched lobes of varying widths. Diagonal-weave fabric inserts have been added to both upper leidenn to create a rectangular format.

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The support has been lined as a rectangle, and the composition has been extended onto the inserts. The The left arch is 26 cm wide and the right arch 15 cm wide.

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Cusping visible in the X-radiograph along the entire right vertical edge but not the left suggests the right side of the composition has not been altered in width, and it is unlikely that the two outer Rich single ladies in leiden were ever of similar widths. Pronounced cusping along the lower edge and slight Wives breeding along the center of the upper edge suggest the composition has not been significantly altered in height.

A light-colored radio-opaque ground has been thinly and evenly applied. The paint has lwdies applied smoothly aside from the white drapery Rich single ladies in leiden books, which have been applied in low impasto with visible brushwork. No underdrawing is readily apparent in infrared images at — nanometers. The painting is undated.

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Use this and many other features like personality leoden on datememe. Edited and translated by Edward G. Hawke, 1:no. London, — Esslingen and Paris, — Sedelmeyer, Charles.

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Sales cat. Sedelmeyer Gallery. Paris,10, no.

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Middlesbrough Municipal Art Gallery. Middlesbrough, Municipal Art Gallery.

Middlesbrough, Scarborough Municipal Art Gallery. Dutch and Flemish Masters from the Collection of Mrs.

Constantine and Family. Scarborough, Municipal Art Gallery. Scarborough,no.

Baer, Ronni. PhD diss. New York University,no. Franits, Wayne.

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New Haven and London,19— Yeager-Crasselt, Lara. Edited by Lara Yeager-Crasselt, 88—89;no. Translated by Li Ying.